Bill Morris –
Guitar
Bill's playing
has covered a gamut of styles over the years - from rock in the early days to
jazz, fusion, folk and even a little classical in formats from solo to big
band. He has led or been a sideman
with a number of bands since attending Berklee College in the late 1970's. Turning Point was an original jazz-rock
fusion project he led in the 1990's.
Other groups included The Barry Sahagian Group, The Sonny Watson
Quartet, The Dave Rasmussen Big Band and The Frank Cagliuso
Quartet. He has studied privately
with Charlie Banacos and Bruce Bartlett.
Bill has developed a fluid, melodic playing style that crosses many
styles. Check out Bill’s
Solo Projects. |
Congratulations to our
mandolin player George O’Connor for
being a top five finalist in the Boston Folk Festival Songwriting Contest!!!
“You guys were just
fabulous! Thanks so much for
performing and making the evening so enjoyable!” - Maureen Connors, Associate Director for Administration, Harvard College Observatory |
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Paul Green –
Fretless Electric Bass
Paul
took up the bass in high school out of necessity (one neighbor played guitar
and another drums). He studied upright bass with Marshall Hawkins, Larry
Angell, and Mark Bernat, and played in numerous rock and jazz ensembles at
Oberlin College. A stint in the Peace Corps led to an interest in AfroPop and
Latin grooves. Since moving to Boston area, Paul has played fretless electric
bass in the mini-Big Band "Feed the Meter", and salsa with JP
Tropicale, before finding a happy musical home with the Wicked Pickers. |
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Gordon Hill –
Electric Violin
Gordon
has played and recorded with a
variety of Boston area folk, rock, and jazz bands including The Gulf and Peter O’Dea.
Gordon is also a member of the
Ultrasonic Rock Orchestra. He
studied classical viola as a youngster,
and later improvisational
playing with Matt Glaser. He has a
strong interest in music that blends a variety of styles and influences. Check out Gordon’s electric
violins
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George
O’Connor - Mandolin
George
is the most recent addition to the quartet.
Before joining the Wicked Pickers, he played with the Boston-area
bluegrass band Jumpin' Willie. His musical influences include Django
Reinhardt, David Grisman, Norman Blake, and Orrin Starr, with whom he studied
guitar before turning his attention to
the mandolin.
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